ZAA - Zeitschrift für Anglistik und Amerikanistik
A Quarterly of Language, Literature and Culture

Heft 4 / 2000

ZAA, Heft 4/2000
EUR 13,00
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Aus dem Inhalt

Aus dem Inhalt:

  • Jörg Witt: Nuntii Latinior Latest News in English as a Solution to the Language Problems of the EU?
  • Uta Hengst: A Comparison of Language Variables among Residents in an Indiana Community to LANCS Data (abstract)
  • Katalin G. Kallay: Envying One’s Garden: A Touch of Rappaccini’s Philosophy
  • Bozenna Chylinska: Modernizing American Jewish Thought: Cultural Pluralism and the Zionist Ideology of Louis Brandeis, Horace Kallen, and Mordecai Kaplan Between WW I and WW II (abstract)
  • Yonka Krasteva: Julian Barnes’s The Porcupine: A Portrait of the Artist as Cultural Historian (abstract)
  • Daniel Candel Bormann: Transgression and Stability in Graham Swift’s Waterland (abstract)

Miszelle: Kultur erzählen – Zwei Geschichten englischer/britischer Kultur

  • Dietrich Schwanitz. Englische Kulturgeschichte.

  • Hans-Dieter Gelfert. Kleine Kulturgeschichte Großbritanniens. (Jürgen Kamm)

Buchbesprechungen:

  • Graham Seal. The Lingo: Listening to Australian English. (Gerhard Leitner)
  • Wolfgang Obst/Florian Schleburg. Die Sprache Chaucers: Ein Lehrbuch des Mittelenglischen. and Jeremy J. Smith. Essentials of Early English. (Fritz Kemmler)
  • Rudolf Beck/Hildegard Kuester/Martin Kuester. Terminologie der Literaturwissenschaft. (Karl-Heinz Stoll)
  • Lorna Sage, ed. Cambridge Guide to Women’s Writing in English. (Ina Schabert)
  • Iain McCalman, gen. ed. An Oxford Companion to the Romantic Age: British Culture 1776-1832. (Marion Spies)
  • Bianca Ross. Britannia et Hibernia: Nationale und kulturelle Identität im Irland des 17. Jahrhunderts. (Michaela Schrage)
  • Gillian Skinner. Sensibility and Economics in the Novel, 1740-1800. (Walter Göbel)
  • M.A.R. Habib. The Early T.S. Eliot and Western Philosophy. (Rudolf Germer)
  • Cecile Sandten. Broken Mirrors: Interkulturalität am Beispiel der indischen Lyrikerin Sujata Bhatt. (Martina Ghosh-Schellhorn)
  • Klaus J. Milich. Die frühe Postmoderne: Geschichte eines europäisch-amerikanischen Kulturkonflikts. (Brigitte Georgi-Findlay)
  • Lavina Dhingra Shankar/Rajini Srikanth, eds. A Part, Yet Apart: South Asians in Asian America. (Mita Banerjee)
  • C.K. Doreski. Writing America Black: Race Rhetoric in the Public Sphere. (Donato Wharton)
  • Melissa Dabakis. Visualizing Labor in American Sculpture. (Stefan L. Brandt)



Uta Hengst: A Comparison of Language Variables among Residents in an Indiana Community to LANCS Data
This article is a small-scale dialectological study of the rural community of Lanesville at the Southern border of Indiana, conducted in summer 1995. The collected data was compared to the material of the Linguistic Atlas of the North Central States (LANCS) where available, first, in order to plot existing language change in Southern Indiana since the time of the LANCS fieldwork and thus determining which dialect features prevail in the language of this community, and second, to explore to what extent age and sex of the informants are distinguishing factors for the items investigated in the study. A short description of the dialect areas of the Midwest as defined by Frazer, Carver, Dakin et al. is given. The paper describes LANCS and focuses on its history, possibilities and deficits, before presenting the investigated community and the methods applied in the study.


Bozenna Chylinska: Modernizing American Jewish Thought: Cultural Pluralism and the Zionist Ideology of Louis Brandeis, Horace Kallen, and Mordecai Kaplan Between WW I and WW II
The image of American society that emerges from a careful study of the racial, religious, and nationality groups in the United States reveals a complex social organization, described under such terms as "assimilation," "acculturation," "melting pot," "pluralism." While Anglo-conformity has been the most prevalent ideology of assimilation in the American experience, a competing viewpoint of "Melting Pot" was formulated in 1908 by Israel Zangwill. The classic statement of the cultural pluralist position was made in 1915 by Horace Kallen who elaborated on the theme of American multiple group life, and strongly rejected the assimilationist theories. For Kallen, an American Jew, the most useful movement for revitalizing Jewish consciousness was Zionism, and the most important Zionists - Louis Brandeis and Mordecai Kaplan. Under the influence of the contemporary American debates of multiculturalism, and pragmatism, Brandeis, Kallen, and Kaplan "legitimized" Jews in America, and defined Zionism as the key element in harmonizing the process of Americanization with reviving Jewish consciousness.


Yonka Krasteva: Julian Barnes’s The Porcupine: A Portrait of the Artist as Cultural Historian
My aim in this paper is to determine whether in  The Porcupine Julian Barnes has been able to extricate himself from past stereotypes in the representations of the Balkans, such as  the ‘vampire sagas’ and thrillers, and has developed new modalities for ‘reading’ the new historical  developments. The novel focuses on the televised trial of the deposed dictator, Stoyo Petkanov, and his off-stage encounters with his adversary, the Prosecutor General, Peter Solinski, who is supposed to stand for the ‘brave new world’ of emergent Bulgarian democracy. Stoyo Petkanov is troped in the familiar vampire rhetoric while at the end of the novel, Solinski tries to wrench himself from the “monster’s” grasp and feels “stained, contaminated, sexually corrupted, irradiated to the bone marrow.”  There is a deliberate staginess and  a feigned theatricality of gesture and intent which are supposed to render the whole of  a complex, uneasy national life  before a figurative camera. The major requirement in the text seems to be neither exactitude of knowledge, nor depth of penetration, but coherence, the positioning of the work within a recognisable body of cultural writing on the subject of Southeastern Europe.


Daniel Candel Bormann: Transgression and Stability in Graham Swift’s 'Waterland'
The present article analyses the appearance of two related themes - science and history - in Graham Swift’s Waterland. The starting hypothesis of this article is that, since the meanings of history and science converge to a large extent, the joint appearance of these two themes in the novel will exert pressures on the presentation of each of them. After pointing out the shared meaning of science and history, the article will try to show how - notwithstanding the reductive presentation of science in the novel - this pressure results in a creative interplay between stability and transgression, appropriation and alienation, which is characteristic of historiographic metafiction.


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